Stereo Jealousy

“I was there in 1974 at the first Suicide practice in a loft in New York City. I was working on the organ sounds…”

James Murphy may not have been in the loft he described in 2002’s seminal “Losing My Edge” but he’s come as close as possible to working on the organ sounds on his new single – “Bye Bye Bayou“. A cover of Suicide vocalist Alan Vega’s 1981 track this new LCD cut unveils a flexing synth bassline underneath a typically restrained Murphy vocal. Taut, without ever really letting rip over its 7 minutes, this is reminiscent more of the early LCD singles rather than anything from Sound of Silver and I’m loving it. Bizarrely, this is the first decent thing I’ve heard about first from the radio in years, and it was Radio 1! Amazon has it listed as a 12” vinylavailable from November 9.  Hopefully this is a taster of the band’s upcoming material – a new album is eagerly awaited in these quarters in early 2010.

And if you fancy seeing Suicide, the band are playing as part of ATP’s ‘Don’t Look Back’ series in May next year, performing their eponymous debut record alongside the Stooges playing Raw Power. See the ATP website for tickets.

LCD Soundsystem – Bye Bye Bayou

Came across this lovely little shot at Lily Allen’s slant on the whole filesharing thang. Dan Bull has done this superbly – enjoy and give some love at Dan’s twitter here

Dan Bull – Dear Lily

The review for this show was already formulating in my mind as I journeyed to Chalk Farm. Desert blues band from western Africa wonderfully out of place in a venue steeped in British industrial heritage, at an event sponsored by one of the western world’s biggest brands. Culture clash anyone? Things didn’t quite turn out that way as I was about to find out.

Oi Va Voi were up first, and an enthusiastic crowd rose to their energetic performance, led by the engaging Bridgette Amofah. Whilst the frontwoman’s vocals ranged across the soul influenced end of the pop spectrum, the rest of the band mined a eclectic seam. There were the obvious Jewish klezmer influences (the band’s name roughly translates from the Yiddish for oh dear!), shot across by the Balkan folk strings from violinist Anna Phoebe, all revolving around a resolutely western European rhythm section. It struck me as slightly too busy, the highlight coming on the relatively laid back Photograph off the band’s recent Travelling The Face Of The Globe LP. Judging by the reaction of the crowd, who joined in clear favourite Refugee, they’d won a fair number of new fans.

Shortly afterwards an array of small amplifiers and acoustic guitars had lined the stage, and the seven members of Tinariwen appeared – clad, as always in traditional gear. As they began their set the band could seldom be heard amongst the hubbub of the more apathetic members of the crowd, sadly a trait that seems to be overcoming even the most expensive of London shows. Despite a quiet start the band quickly hit their stride, with vocal harmonies ringing across the stage. Percussive duties were filled by a single man and multiple hand claps, providing a playful rhythm around which multiple guitar lines wound.

In complete contrast to Oi Va Voi it was easy to place the sound of the band, not needing the colourful imagery of their homeland behind them to highlight its origin. However it was also in complete contrast to Amadou & Mariam, the Malian band I’d seen support Blur a few days earlier, despite sharing the same musical cues. This was undoubtedly the music of the desert, the wonderfully ceaseless and cyclical bass mimicking the never-ending dunes. And yet it fitted the venue perfectly. There was no jarring juxtaposition – Tinariwen deserve to playing venues like this to crowds this size and I doff my cap to iTunes for putting the band on an otherwise pretty conservative bill. A mesmeric performance by the former Touareg rebels.

Oi Va Voi – Photograph
Tinariwen – Imidiwan Afrik Tendam

Watch Tinariwen perform Amassakoul at Live 8 Eden

Morton Valence: Bob And Veronica Ride Again
Released 4th May 2009
Bastard Recordings

Morton Valence’s debut is an achingly British slab of pop, so desperate to tell us the story of the title’s namesakes that it comes packaged with a romantic novella. Thankfully, unlike many concept records, the album forms a coherent whole and begs to be listened to from start to finish. It does this whilst constantly shifting in style; dipping from Jesus And Mary Chain style shoegaze on the fantastic “I Must Go,”Said Veronica, “But I Will Always Come Back” through to classic electropop reminiscent of Saint Etienne or Black Box Recorder . The similarities to the latter don’t end there either, with Anne Gilpin recalling the glacial delivery of Sarah Nixey.

Whilst treading the same well worn boards as their pop peers Morton Valence carry the whole thing off with such charm, wit and panache that it never comes across as anything but original. I can’t wait for word to catch on about this glorious piece of work, and I suspect neither can the fans who invested in ’shares’ of the album to ensure its release. A wonderful album that deserves to be near the top of the pile come the year end reckoning.

Rating:

For our London readers there are a couple of opportunities to catch Morton Valence over the next few weeks in the city. The first is on June 25 at the last of their Bob And Veronica Book Club events at The Enterprise, and also a chance for a bit of a boat party on July 9 as they play the Battersea Barge.

Morton Valence – Hang It On The Wall (mp3)
Morton Valence – Chandelier (video)

Band site

Last.fm

Myspace
You can buy the CD version of the album that comes with the novella from the band’s website.

This didn’t quite make up for missing them at the Scala on Monday, but the band seemed on good form previewing Sacred Trixter and Antenna from upcoming LP The Eternal before letting loose Teen Age Riot. Hard to believe that this was 17 years on since their first Jools performance, and I think their last UK TV appearance, where they played Sugar Kane and Drunken Butterfly. Wonderful glimpse into the new record, still over a month away from the shops…I’m not a big fan of waiting!

UK readers can see the full show, featuring a vampish Lily Allen and a rejuvenated Depeche Mode for a week here

Sonic Youth – Sacred Trixter
Sonic Youth – Teen Age Riot